repertoire

Let’s be honest: the best presents are often those we give ourselves. But what gift would be appropriate for a guitar quartet celebrating 20 years on the stage? A comparison can give us a clue: what do a couple give each other after 20 years of marriage? Perhaps a journey to an unknown destination during which they reminisce about their past and imagine their future together? Or maybe something practical instead? The Eos Guitar Quartet at any rate – although it most certainly has a practical bent too – decided against new music stands and for a journey of adventure – naturally one accompanied by 24 strings.

The idea was to put together 20 miniature compositions by 20 different composers in order to celebrate the passing of 20 years and take the step into the next 20. After all, 20 years of Eos are hardly enough. So Project 20+ was born. Ultimately, 21 musicians from all over the world took part – as indicated by the formula 20+. The composers were asked only to include a thematic reference to rosy-fingered Eos, Greek goddess of dawn and her entourage, and not to go beyond two to three minutes. Actually the whole enterprise was rather foolhardy: what if no one wanted to take part? Or if everyone ignored the conditions? What should be done to avoid the group of individual composers producing a patchwork quilt rather than a musical tapestry woven expressly for the goddess who opens the gates of heaven each morning?

Of the 21 titles, over half refer to Eos and her entourage, either directly by name (Doran, Gruntz, Muthspiel, Turkmani) or to dawn and daybreak (Assad, Frith, Pujol, Rodríguez). Thus the Argentine Pujol with his Naranjas urbanos (urban orange hues) – refers to the mood and colour (dirty orange-grey) that draw across the sky above Buenos Aires at daybreak. In his Tropical dawn, Assad for his part evokes the avian dawn chorus in the Brazilian jungle. Frith paints a mellow water-colour of an Icelandic morning mood in Fáir. And the winds, among them Notos and Boreas, sons of Eos, breathe life into three compositions (Baumann, Brouwer, Favre). Finally, four pieces are not original compositions for the Eos Guitar Quartet; however, the composers either rearranged them especially for the quartet (Camilo, Gismonti) or explicitly allowed Eos to rework existing pieces (de Lucía, Vollenweider). More details on the various pieces and information about the composers may be found on www.guitarquartet.ch.

The best presents are those we give ourselves. And naturally those that others also appreciate – as is shown by this recording. So we can look forward with anticipation to Eos – 30+!
Ruth Hafen

eos variations, composers:
Sérgio Assad (Brazil)
Christoph Baumann (Switzerland)
Leo Brouwer (Cuba)
Michel Camilo (Domenican Republic)
Christy Doran (Switzerland/Ireland)
Roland Dyens (France)
Pierre Favre (Switzerland)
Fred Frith (England)
Egberto Gismonti (Brazil)
George Gruntz (Switzerland)
John Anthony Lennon (USA)
Paco de Lucía (Spain)
John McLaughlin (England)
Wolfgang Muthspiel (Austria)
Máximo Diego Pujol (Argentina)
José Antonio Rodriguez (Spain)
Mike Stern (USA)
Ralph Towner (USA)
Mahmoud Turkmani (Lebanon)
Alexander Vinitsky (Russia)
Andreas Vollenweider (Switzerland)

Spanish guitar music constitutes the essential part of the Eos repertoire, including classical fandangos, music by Manuel de Falla and flamenco variations composed by one of the quartet members.

Manuel de Falla
El amor brujo
Canciones populares españolas
El sombrero de tres picos (Ausschnitte)
Georges Bizet
Carmen-Suite
Joaquín Rodrigo
Concierto andaluz (für Gitarrenquartett und Orchester)
Luigi Boccherini
Grave assai - Fandango
Marcel Ege
Campanilleros
Tangos flamencos
Isaac Albéniz
La vega
Asturias
Federico García Lorca
Canciones populares españolas
Chick Corea
Spain
u.a.

The Argentine Astor Piazzolla, the creator of «tango nuevo», as well as the Cuban composer Leo Brouwer with his sound fantasies inspired in Cuban landscapes are important cornerstones of the opulent and colourful South American music.

Astor Piazzolla
4 Estaciones Porteñas (Four seasons)
Four, for tango
Leo Brouwer
Cuban landscape with rain
Acerca del cielo, el aire y la sonrisa
Cuban landscape with rumba
Paulo Bellinati
A furiosa
Baião de gude
Sergio Assad
Uarekena
Jorge Cardoso
Cuarteto en Mi Mayor
u.a.

Original compositions for guitar quartet are a rare thing. A deplorable fact which the Eos Guitar Quartet is certainly prepared to remedy. With the support of Pro Helvetia and other cultural institutions compositions are commissioned to Swiss composers; in order to break down the barriers between the different music styles, also to jazz musicians.

George Gruntz *1932
No Xod! A Rap (1997) Musik über F. Dürrenmatts Havel-Rede
Vinz Vonlanthen *1959
Phare 29° 44" (2000)
Daniel Schnyder *1961
Guitar Quartet (1992)

Martin Schlumpf *1947
Sommerbogen (1992)
Jacques Demierre *1954
Retrato de A.P. (1997)
Christoph Baumann *1954
Sekunden, Quarten und andere Sehenswürdigkeiten (2001)
      u.a.

In order to be able to rise to the symphonic realms, the Eos Guitar Quartet transcribes everything from baroque concerts and opera overtures to symphonic poems.

Antonio Vivaldi -various concerts
Joh. Seb. Bach - Brand. Konzert Nr. 6
G. Ph. Telemann - various concerts
W.A. Mozart - Divertimento in D
Gioacchino Rossini -Ouverture "Il barbiere di Siviglia"
Camille Saint-Saëns - Danse macabre
Igor Strawinski - Suite Nr. 2
George Gershwin - Lullaby
Ferenc Farkas - Piccola musica di concerto
and others

The unique interplay of these artistically independent forces in music, song and dance leads us through the wistful and expressive Spanish song landscapes of Lorca and de Falla with new sounds and images. A mysterious magic is ignited in this fruitful artistic collaboration. Carmen Linares' flamenco singing and the great authenticity of her expression are enhanced by the innovative musical arrangements of the Eos Guitar Quartet. Brigitta Luisa Merki's choreography opens up the concert space to a new perception of music and song. The dance enters into a direct, subtle dialogue with the music and becomes an integral element in the score of music and song. Dance and movement evoke a new dimension in the imaginary landscape of this music, leading to scenic songs. The result is a moving spatial concert.

Vocals: Carmen Linares
Music: Eos Guitar Quartet: Marcel Ege, Martin Pirktl, David Sautter, Michael Winkler
Percussion: Ricardo Espinosa
Dance: Tanzcompagnie Flamencos en route:
Sara Calero, Almudena Hernández, María Martín, Marta Roverato
Music arrangements: Eos Guitar Quartet
Choreography/stage concept: Brigitta Luisa Merki
Lighting design: Adrian Fry
Sound: Andreas Brüll
Costumes: Carmen Pérez Mateos
Administration: Peter Hartmeier

Management: Roland Müllener, OffTHEATER